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・ Marc Alessi
・ Marc Alexander
・ Marc Alexander (disambiguation)
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・ Marc Alfos
・ Marc Allégret
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Marc and the Mambas
・ Marc Anderson
・ Marc Anderson (disambiguation)
・ Marc Andreessen
・ Marc Andreu
・ Marc Andreyko
・ Marc Andrus
・ Marc Angenot
・ Marc Anthony
・ Marc Anthony (album)
・ Marc Anthony (American football)
・ Marc Anthony (footballer)
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・ Marc Anthony discography
・ Marc Antoine


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Marc and the Mambas : ウィキペディア英語版
Marc and the Mambas

Marc and the Mambas was a new wave group, formed by Marc Almond in 1982 as an offshoot project from Soft Cell. The band's line-up changed frequently, and included Matt Johnson from The The and Annie Hogan, with whom Almond worked later in his solo career.
==History==
Marc and the Mambas marked the start of Marc Almond's career outside of Soft Cell. In 1983 Almond and Soft Cell were very close to the avant-garde scene around Foetus, Psychic TV and Einstürzende Neubauten. Almond also took part as one of four members of The Immaculate Consumptive, a group initiated by Lydia Lunch; they never released any album but did a few shows in New York and Washington D.C. at the end of 1983. Further members were Jim Foetus and Nick Cave. Marc and the Mambas very much belonged to that scene, and continued the dark themes explored within Soft Cell, but musically used different instruments and more complex rhythms. The group's lineup was fluid, with members changing with each recording or performance; the only consistent members were Almond, Annie Hogan and Steve James Sherlock. Further members included Billy McGee and Martin McCarrick, who also later joined Almond when he formed Marc Almond and the Willing Sinners. Almond's Soft Cell partner David Ball was an associated member for the Mambas' first single "Sleaze", and Matt Johnson from The The was a member for the first and second album but did not join for the last concerts in 1983 (put to vinyl and later to CD as ''Black, Bite & Blues''). Jim Foetus was an associated member, and did guest vocals and percussion on "A Million Manias" and "Love Amongst the Ruined."
The Mambas' second Some Bizzare released album, ''Torment and Toreros'', contains a mix of ballads, both with and without dance beats, and is a mix of vaudeville, French chanson, and goth sensibility, using guitar noise, piano, and string sections. Almond later described this recording as an "attempted suicide put on vinyl."

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